creative thinking about creative writing

The story knows best

My daughter watches the film Mamma Mia two to three hundred times every day, so I know the story inside out. The question running through Mamma Mia is this: who is Sophie’s father? The big clues point towards the reluctant Bill Anderson: Sophie is named after his Aunty, said Aunty left her money when she died (“I thought that was left to family?”) and one of the major musical numbers which featured Bill and was cut from the final edit of the film, suggesting that it gave too much weight to their relationship and gave away too much information.

But stop. Sophie’s mum doesn’t know who the father is so that makes all the clues red-herrings. If she doesn’t know then Sophie’s name and the inheritance don’t come into the equation at all.

Here’s the question: Sophie’s mum doesn’t know who the father is but does the story know the answer? The cut scene suggests it might. Does Sophie’s name and the inheritance go beyond the love and affection between Aunt Sophia and Donna Sheridan, something that the story knows but Donna doesn’t?

After all, the story is born of the storyteller; the characters within it are just vehicles to tell the story.

Tags: , ,

 

Written by Adrian Robinson
25th October, 2009

 

Leave a Reply

About the author

Adrian RobinsonArtificial Industries PublishingMax and the Tiger

Adrian Robinson lives in Hungerford, West Berkshire, UK.

Works as a Senior Copywriter for a marketing company.

Has a MSc in Journalism and BA in Film and Media.

Runs the Hungerford Writing Group, which meets twice a month.

Worked for nearly ten years as a designer, specialising in graphic design and print design.

Has illustrated a children’s book.

Designed, typeset and published a number of other books.

Recently started the publishing imprint Artificial Industries.